we needed to shoot 12 K and the only way of doing that is with this beast which is six Red Dragons all stitched together and mounted on the shotover unit here attached into this helicopter each of these cameras will be shooting six K so we have a total image of 36 K the the largest image that we think is possible at this moment we're going to be stitching this together in order to form our total 12 K image and tomorrow morning we will be flying this over Los Angeles so this is a stabilized platform it's taking out all the movement of the helicopter so we're up flying around and react our film pilot is positioning the camera but on all the movements of the helicopter actually sort of reversed stabilized out of this this is a very smooth sort of floating look over the city so it's quite peaceful and we're picking these very carefully constructed frames that a graphic and show you know a landscape or a particular view it's quite a setup you know it's not something that you cash orally deploy the primary development on this system is feature film work there's a lot of visual effects everybody knows in movies so we're always trying to get backgrounds and elements that are composited that they use computer graphics or so one of the advantages to using a system like this on a movie because of so many cameras getting such a wide field of view you can make certain decisions and post later you can put this background behind the scene and depending on how the scene is framed you've always got something to go back there it's like capturing a big backdrop [Music] [Music] [Music] [Music] there was a time [Music]